ACMF 2025 | White Session

Albury Chamber Music Festival ’26

“Ooh là là”

6 – 8 November

What a GALA Ball we had at last year’s festival!  Secure your 2026 Festival Passes here! Select either the Black or White session – both sessions are identical in terms of programming – performance times at smaller venues vary. Check out out White format below:

Bonjour mes amis,

Welcome to France, Albury Style.

This November, the Albury Chamber Music Festival invites you to step into a world of French elegance, artistry, and enchantment — a celebration inspired by the salons of Paris, the cafés of Montmartre, and the rich artistic spirit of France.

Your all-inclusive Festival Pass grants access to eleven concerts and events across this immersive three-day celebration, set within four Paris-inspired venues and gardens: the deco, heritage-listed Regent Cinema, our own elegant jewel-box Adamshurst Ballroom, and the soaring Gothic beauty of St Matthew’s (ALMOST Notre-Dame).

The experience culminates in the sumptuous Bleu Blanc Rouge Gala Ball at the exclusive Albury Club: a magnificent three-course evening of French-inspired dining (including a complimentary glass of bubbles on arrival), sparkling company, and stylish French cabaret entertainment.

All of this is included in the one pass.

Echoing the Parisian salons of the nineteenth and twentieth centuries, our unique festival is designed as a meeting place for friends and for meeting new friends — where music, conversation, and artists come together.

Bienvenue à Albury

Venues:

Adamshurst, 603 David St, Albury

Regent Cinemas, 456 Dean St, Albury

St Matthew’s Church, 516 Kiewa St, Albury

The Albury Club, 519 Kiewa St, Albury

 

Friday 6 November - WHITE

“Madeleine” Session WHITE, Performance 1, Fauré’s Requiem Opus 48

St Matthew’s Church

Friday, 6 November, 2:00pm–3:00pm

 

Greta Claringbould, soprano

Andrew Fysh, baritone

Lux Alba and guests

Festival Orchestra

Mario Dobernig, conductor 

 

Gabriel Fauré was known as “the quiet architect of French music”, and his Requiem is one of the most beloved works in the choral repertoire. It is unusually gentle for a Requiem Mass, and he described it as a “lullaby of death” — an aspiration towards heavenly happiness.

In our chamber version, the delicacy of his writing is revealed, from the serenity of the “Pie Jesu” to the quiet transcendence of “In Paradisum”. Its first performance took place in 1888 at the Église de la Madeleine in Paris.

As the opening work of the 2026 festival, it combines orchestra, choir and soloists, inviting you into a world of French colour and refinement.

FUN FACT — Le Chat (“the cat”) was Fauré’s nickname among his contemporaries, used to describe his sleek, graceful manner and subtle sensuality — essentially, his elegant cat-like poise.

Sponsored by Scotchmans Hill Winery and The Cope Williams Foundation 

 

 

 

PONT NEUF” Session WHITE, Performance 2, G and S

Adamshurst Ballroom

Friday, 6 November, 4:00pm–5:00pm

 

Ok and now for a short detour, let’s jump on the Eurostar, “take the Chunnel” across to the land of Gilbert and Sullivan. Arrive at St Pancras Station, or arrive by ferry from Calais to Dover if you prefer, but we’ll convene at the Savoy Theatre on the Strand — a short walk from Covent Garden — for a delightful hour with Stuart Maunder, accompanied by the illustrious Anne-Maree McDonald: a cabaret extravaganza indulging in the songs and times of Gilbert and Sullivan.

 

 

Stuart Maunder, storyteller and singer 

Anne-Maree McDonald, piano

 

Sponsored by Garry Kennedy and Yoshi Omata

 

 

 

“PALAIS ROYAL” Session WHITE, Performance 3, Friday Late-Night Soirée,

Cellist Molly Kadarauch

St Matthew’s Church

Friday, 6 November, 9:30pm

 

Stunning cellist Molly Kadarauch will perform solo cello works by candlelight, serenading you into the night as the closing event of Day One of the festival.

 

Auguste Franchomme               Caprices 1 and 9

György Kurtág                              Signs, games and messages

Johann Sebastian Bach             Suite in C minor: prelude and fugue

Ernest Bloch                                 Suite no. 2 for Cello, movements 3 and 4

Svante Henryson                         Green Song

Peter Sculthorpe                         Threnody

Saturday 7 November - WHITE

“SAINT-SUPLICE” Session WHITE, Performance 4, Peter Guy, organ

St Matthew’s Church

Saturday, 7 November, 9:00am–10:00am

 

A celebration of the French Romantic organ tradition, featuring music by Saint-Saëns, Batiste, Franck and Vierne. Experience the majestic French-Canadian Orgue Létourneau at St Matthew’s, a refined, warm and atmospheric instrument ideally suited to this repertoire.

 

Johann Sebastian         Bach Wir danken dir (arr. Alexandre Guilmant)
Camille Saint-Saëns     Le Cygne(arr. Alexandre Guilmant)
Camille Saint-Saëns     Improvisation No. 7
Édouard Batiste            Andante in G (Pilgrim’s Song of Hope)
César Franck                  Choral No. 2 in B minor
Louis Vierne                   Adagio and Allegro from Symphony No. 3 for Organ, Op. 28

 

Peter Guy, organ

 

 

“RIVIERA OF THE CÔTE D’AZUR” Session WHITE, Performance 5,

Living Legend – Director Stuart Maunder

Regent Cinemas Albury

Saturday, 7 November, 10:45am–11:45am

 

Time for a boat ride down the Riviera of the Côte d’Azur to take in the splendour of the Théâtre Lumière in Cannes. Living legend Stuart Maunder will regale us with tales of the operatic stage, its performers, and the role of the director within it!

 

Stuart Maunder, living legend

Sally-Anne Russell and Mario Dobernig, interviewers

 

Sponsored by Prue and Tony Smith Regent Cinemas Albury

 

 

“NEARLY FRENCH” Session WHITE, Performance 6, Daniel de Borah, piano

St Matthew’s Church

Saturday, 7 November, 1:00pm–2:00pm

 

Though neither Frédéric Chopin nor César Franck was French by birth, the works were composed during their years in France. From Chopin’s late masterpieces, written between Paris and Nohant, to Franck’s Prélude, Choral et Fugue, these works reflect the rich artistic world of nineteenth-century France that both composers came to call home.

 

Frédéric Chopin            Polonaise-Fantaisie, Op. 61
Frédéric Chopin            3 Mazurkas:

Op. 56 No. 2 in C major,

Op. 17 No. 4 in A minor,

Op. 68 No. 4 in F minor

Frédéric Chopin Ballade No. 4 in F minor, Op. 52
César Franck Prélude, Choral et Fugue

 

Daniel de Borah, piano

 

Sponsored by The Cope Williams Foundation 

 

 

 

“AUVERGNE” Session WHITE, Performance 7, Canteloube’s Chants d’Auvergne 

Adamshurst Ballroom

Saturday, 7 November, 3:00pm–4:00pm

 

Joseph Canteloube’s Songs of the Auvergne (Chants d’Auvergne) is a lush, vibrant collection of French folk songs arranged especially in a new edition for mezzo-soprano Sally-Anne Russell and chamber orchestra. Written between 1923 and 1930, these evocative works combine traditional melodies in the regional Occitan dialect with rich, impressionistic orchestrations that capture the rustic beauty of rural France, bringing to life the daily routines of shepherds, farmers, cheesemakers, and rural lovers. Many of our festival musicians are featured as soloists within this edition.

Translations will be provided.

Sally-Anne Russell, mezzo-soprano

James Armstrong, violin

William Newberry, viola

Molly Kadarauch, cello

Michael Fortescue, double bass

Sally Walker, flute

Scott Marshall, oboe

Andrew Boyle, clarinet

Danie de Borah, piano

Michael Evans-Barker, percussion

Mario Dobernig, conductor

 

This performance is sponsored by Janet Bagnall

 

 

MOULIN ROUGE” Session WHITE, Performance 8, BLEU BLANC ROUGE GALA BALL 

The Albury Club

Saturday, 7 November, 6:00pm–9:00pm

 

Our legendary “Gala Dinner” where anything goes! Alpacas, perhaps a Maltesers race, or a hobby horse race? Perhaps a spot of croquet? Expect the unexpected!

Come dressed as Napoleon, Astérix, Marie Antoinette, Cyrano de Bergerac, or simply in red, white and blue.

Always a load of fun, and accompanied by a three-course French-inspired meal at the beautiful Albury Club, you will be serenaded by the fabulous French cabaret chanteuse Louise Blackwell and her French Set!

 

Lou Blackwell, chanteuse

Mark Ferguson, piano

Dan Witton, double bass

Michael Evans-Barker, drums

 

 

Please note: Entry to the Albury Club is via the rose garden at the back of the club (Stanley Street via Commercial Club carpark). Entry via Kiewa street (front door) is not possible.

 

 

“LE MARAIS” Session WHITE, Performance 9, Saturday Late-Night Soirée

The Psalm Project – Meditations on a Psalm

St Matthew’s Church

Saturday, 7 November, 9:30pm

 

Jazz pianist and composer Mark Ferguson set himself a challenge: to write a Psalm a day for an entire year. You will hear a selection of these improvised Psalms, interspersed with readings by Peter Macleod-Miller, all by candlelight.

 

Mark Ferguson, piano 

Fr Peter Macleod-Miller, reader

 

 

Sponsored by Rae and Bill Szuch

Sunday 9 November - WHITE

“NOTRE DAME” Session WHITE, Performance 10, Festival Service

St Matthew’s Church

Sunday, 8 November, 9:00am–10:30am

 

Fr Peter Macleod-Miller, le recteur d’Albury

Greta Claringbould, soprano

Maartje Sevenster, alto

Tim Reynolds, tenor

Andrew Fysh, baritone

Lux Alba

 

World Premiere / compositions by Australian composers

Michael Lampard, Mark Ferguson, Malcolm Ross and Ross Fiddes 

World Premiere by Italian composer Daniil Karim Kaddouri 

 

 

“Wu là là” Session WHITE, Bonus Performance, Charlie Wu, piano

Adamshurst Ballroom

Sunday, 8 November, 1:00pm–1:30pm

 

Venture to the ballroom for a glimpse of Australia’s future generation of concert pianists. Already representing Australia on the international stage, pianist extraordinaire Charlie Wu — a prizewinner in Moscow and beyond — will present a captivating 20-minute recital.

 

 

“JARDIN DU LUXEMBOURG” Session WHITE, Digestif in the Adamshurst Gardens

Adamshurst Gardens

Sunday, 8 November, 1:30pm–2:00pm

 

After “Wu là là”, enjoy the Adamshurst Gardens with a glass of wine and some Brie.

 

 

“MONTMARTRE” Session WHITE, Performance 11, Baroque Extravaganza

St Matthew’s Church

Sunday, 8 November, 3:00pm–4:00pm

 

Canberra Baroque specialists Limestone Consort bring us a captivating journey through secular French Baroque cantatas, combining ornate vocal storytelling with florid obbligato instrumental accompaniment.

 

André Campra               Silène

André Campra               La dispute de l’amour et de l’Hymen

Nicolas Bernier              Le Café

 

Limestone Consort:

Greta Claringbould, soprano

Maartje Sevenster, alto

Andrew Fysh, baritone

Lauren Davis, violin

Clara Teniswood, cello

Aaron Reichelt, oboe

Ariana Odermat, harpsichord

Check out last year’s gallery of gorgeous photographs including many captured by Kosta from ‘Living Imagery’ in our 2025 photo galleries. 

Can’t wait for ACMF | 26? Tickets are on sale here.